Hot 10 Recap – Week of 11/15/25

NEW YORK (AP) — The latest Billboard Hot 100 chart dated Nov. 15, 2025, sees longtime pop icon Taylor Swift taking two spots at the top, a country-crossover act climbing, and a nod to legacy with a re-emergence of Michael Jackson. In a week when streaming, radio airplay and sales all matter, here’s a track-by-track rundown of the Top 10:

10. Thriller – Michael Jackson
Returning to the top 10, Thriller marks a resurgence for Jackson’s classic 1982 track. Few songs in pop history carry the same cultural heft, and its return to the Hot 100 speaks to enduring listener appetite — whether through streaming, catalog sales or renewed interest sparked by recent anniversaries or special editions. The song’s placement underscores how legacy artists continue to impact current charts under today’s multi-metric methodology.

9. I Got Better – Morgan Wallen
Country-pop star Morgan Wallen lands at No. 9 with I Got Better, showing his cross-format strength. While rooted in country, the track has clearly resonated with broader audiences, perhaps aided by strong streaming numbers and crossover radio airplay. As Wallen continues to expand his sonic footprint, this chart position reflects an act moving beyond genre boundaries.

8. MUTT – Leon Thomas
At No. 8 comes MUTT, a track by Leon Thomas that reflects the power of emerging artists to break into the top tier of the Hot 100. While lesser-known in mainstream circles compared with some peers, Thomas’ charting here illustrates how streaming discovery and social-media buzz can accelerate a song’s climb. The No. 8 rank signals he’s making significant inroads.

7. Folded – Kehlani
R&B singer-songwriter Kehlani takes No. 7 with Folded. Known for her vocal agility and emotionally resonant lyrics, Kehlani has again found a strong resonance with listeners. The position suggests that Folded is maintaining momentum across multiple platforms — streaming, downloads and audience engagement — and continuing to build her catalog presence.

6. DAISIES – Justin Bieber
Justin Bieber’s DAISIES lands at No. 6, an indication that the veteran pop star remains a chart force. The song’s performance reflects Bieber’s ability to engage both long-time fans and newer listeners. Given his ubiquity in streaming and radio, the ranking suggests solid but not dominant movement this week — perhaps making way for the higher climbers ahead.

5. Man I Need – Olivia Dean
Breaking into the upper half at No. 5 is Olivia Dean with Man I Need. As an emerging artist, this placement is noteworthy. It signals that Dean is achieving a crossover appeal beyond niche or genre-specific audiences. Her song’s success in the Top 5 indicates both broad listener interest and strong promotional or playlist support.

4. Opalite – Taylor Swift
Taylor Swift claims No. 4 with Opalite, demonstrating her sustained dominance. With her deeply engaged fanbase and strong streaming numbers, Swift has again shown how an artist of her caliber can occupy multiple slots on the chart simultaneously. Opalite’s ranking underscores her ability to launch tracks that compete at the highest level.

3. Ordinary – Alex Warren
Landing at No. 3 is Alex Warren’s Ordinary — a strong showing for a newer name. The placement suggests Warren has significantly broken through in the streaming era. Ranking this high indicates his track isn’t simply riding algorithmic waves but resonating with a wide audience and achieving meaningful traction.

2. Golden (From K‑Pop Demon Hunters) – Huntrx
Coming in at No. 2 is Golden (From K-Pop Demon Hunters) by Huntrx — a strong indicator of global or niche-driven songs climbing to mainstream U.S. chart prominence. The title hints at a cross-cultural or multimedia tie-in (the “K-Pop Demon Hunters” reference), illustrating how music originating outside traditional pop channels or with unique branding can break into the top ranks.

1. “The Fate of Ophelia” – Taylor Swift
At No. 1, Taylor Swift’s The Fate of Ophelia continues her chart-topping legacy. Securing the top spot again confirms Swift’s dominance across streaming, radio, and sales metrics. With the fan momentum and industry backing she commands, the No. 1 ranking reflects her ability to turn releases into major events — and to keep multiple songs in the Top 10 simultaneously.

SHARE NOW

Leave a Reply

Your email address will not be published. Required fields are marked *